​東京のサウンドスケープを60個の形（輪郭）にし、クレタ島のサウンドスケープから音の”動き”の傾向を捉え羽根（紙片）の流れとして表現し、さらに一つのシンフォニーとして作曲するように、50mの壁面に配置した。音が旅をし、この地の風に乗って囁きに来る。

The soundscape of Tokyo was made into 60 shapes (contours), and the tendency of sound "movement" from the soundscape of Crete was captured and expressed as a flow of feathers (pieces of paper), which were then arranged on a 50-meter wall as if they were composed as a symphony. The sound travels and whispers to us on the winds of this land.